now at Bandcamp - POINT BLANK- digital only album release of the "narrative show" first performed in 2006.

The first of the dave graney "narrative shows".

A story about a performer finding and walking onto the stage, fighting many heroic battles. All songs written by Dave Graney from various albums recorded in the 90s

Recorded at the Butterfly Club, Sth Melbourne in 2006.
Two mics in the room.
Mark Fitzgibbon on a stand up piano.
Clare Moore on vibes, percussion and backing vocals.
Dave Graney telling the story and singing the songs into the room. No microphone.

Show was done again at the Butterfly Club in 2007, then in Adelaide at the Cabaret festival (successive years) and then in Sydney at the Opera House Studio.

The album is available as two complete files. Roughly 13 songs. Would have been one long file but that was too large for BandCamp.

http://davegraney1.bandcamp.com/album/point-blank

credits

released 11 October 2013 

dave graney - story and singing

mark fitzgibbon - standup piano

clare moore- vibes,percussion and singing

(The photos above are from the 2008 Sydney Opera House studio shows. the recording is from the much smaller Butterfly Club in 2006. 40 people in the room. No microphones except for those recording the room itself.)

PART ONE

Intro
Speak to my medium.....tight spot
I’m a comander....louder, moore brightly lit
lt colonel cavalry....stil a big performance
I don’t know you exist
land of the giants....Dave picks up guitar from piano? .....quieter...reflective
the brother who lived....bigger performance

PART TWO
aristocratic jive...Dave sits on stool at front of stage, spotlit
no pockets in jumpsuit.... jumping around...brighter
my schtick weighs a ton.....spot lit again -singing to his little doll/figurine
there he goes with his eye out..... a very gothic song bring lights down in the spoken intro as Dave talks and writes in a pad
I held the cool breeze... a long tail out with speaking in this song
rackin up some zeds....Dave pretty much duets with Clare on this
the devil drives... a long tense intro as Dave sets the suspense for the end of the show....

now at bandcamp - SUPERMODIFIED- 16 track monster remixx-restring-replay-remaster-set from 2010

SUPERMODIFIED.
http://davegraney1.bandcamp.com/album/supermodified-2010-re-recording-remix-album

Available now at Bandcamp. This great set of remixes. Also vocals redone , guitars re played and re-recorded. All remixed and remastered. Songs from "Heroic Blues" (2001) and "the brother who lived" (2003) .

Available as a $15 digital download or $29 download with physical cd. 

https://itunes.apple.com/au/album/supermodified/id386828892




http://davegraney1.bandcamp.com/album/supermodified-2010-re-recording-remix-album 


It’s a remix/remaster/replayed compilation.
There are ten tracks from “the brother who lived”, 4 tracks from “heroic blues” and 4 previously unreleased songs that were all recorded at either of those sessions. “Its like a souped up hot rodded version of the original songs, with some extra tracks that got lost along the way. We put the songs up on the blocks and re-tuned them, re-sang them, re-strung them , put more drums and percussion and vocals and keys and remixed all of them. Inserted ,bussed , sent, returned, compressed , buzzed, eq’d and coloured all the reverbs and delays and remastered it at the end. Its a new thing. “
Standout tracks are Tracks 1 and 2 “the brother who lived” and “all our friends were stars” which were originally recorded with Greg Walker from Machine Translations, track 8, “are we goin’ too fast for love?” and track 11 “midnight to dawn”.
It’s a pop collection with a sleek, dark and sinister , kinda Roxy thread running through it. An album for the times.

players involved
Dave Graney, electric and acoustic guitar, bass and organ.
Clare Moore, drums, perdussion,vocals, organ.
Stu Perera, electric guitar.

Adele Pickvance,bass on tracks 3-5,7-8,10-11,113,16-17
Bill Miller, guitar on tracks 3-7,9,11,13

mastered by Greg Wadley
Cover illustration by Tony Mahony.

Track Listing
the brother who lived


all our friends were stars


like a millionaire
a boy named epic
the royal troll
clingin’ to the coast
I am your humble servant
are we goin’ too fast for love?
I’m seein’ demons
anchors aweigh



midnight to dawn




twilight of a villain
I ain’t natural
she looked at me from out of her eyes
my old gloves
while you dream,I live
I don’t know anything
commercial street east (starry) 


https://itunes.apple.com/au/album/supermodified/id386828892

Recorded between 2001 aand 2004
Engineer for most sessions Adam Rhodes.
Remixed at the Ponderosa March- June 2010 by Dave gGaney and Clare Moore
Produced by Dave Graney and Clare Moore. 

now at bandcamp - dave graney - KNOCK YOURSELF OUT!-classic filthy r&b / rock'n'roll solo set from dave graney (2009)

KNOCK YOURSELF OUT. Only album so far credited solely to dave graney. Continues the lyrical fire from WE WUZ CURIOUS.
Autobiographical vein still rich. Now available from Bandcamp  as a digital copy or a physical cd as well as immediate digital download.

http://davegraney1.bandcamp.com/album/dave-graney-knock-yourself-out



“Knock yourself out” is the new album from Dave Graney. its a solo album though longtime collaborator Clare Moore was very much involved in the recording , writing and arranging of many tracks. It follows the jazz r”n”b masterwork of 2008 “we wuz curious” which was credited to their collective “The Lurid Yellow Mist”.
The title is another boxing allusion . ( “we wuz robbed!” - “Knock yourself out!”) In Dave Graneys way of speaking, its an invitiation to “go your hardest!” Its a positive lick. “Knock yourself out”.C’mon!
Its not a guy with an acoustic guitar and its a very feisty and upbeat set. Dave wants it to be called an “electro boogie” album as it has a kind of keyboard driven wonk sound in some parts.
Dave Graney’s music is not generic. Its not rootsy or pop but it kind of is as well.
Its Dave Graney music. He started to write songs in the post punk period when mythology and ideology and self expression and mythology were all screwed up and meeting head on. Everybody wrote songs about their own situation then, standing outside the disco, about to walk in.
Hes always up to something but American music has always been an inspiration and his own drama as an Australian artist and musician has thrilled him as well.
So here he is again, album number twenty something, standing outside the disco, about to walk in, “Knock yourself out!”

https://itunes.apple.com/au/album/knock-yourself-out/id314559779

I call this record a filthy r’n’b set or an electro boogie album. Its a solo album but its not a guy with an acoustic guitar. I play most of the instruments except for the drums which Clare Moore takes care of, either her trusty vintage Gretsch kit which she has had since the Moodists days or she took the sounds from her keyboard and arranged them as she saw fit. I wrote all the lyrics and music except for three which Clare either set up for me or worked on with me. Stu Thomas plays amazing bass on two songs and sings on others and Stu Perera plays lead guitar licks on three. I play electric guitar, bass and keys on all the others. I recorded and mixed it at our studio, the Ponderosa.

The title track , “knock yourself out” , started when Plutonic asked me to drop a cameo on his last album. I dropped the whole lyric for him. It didn’t fit his idea so he left it with me. While I was away on a rare solo tour Clare set it to this rhythm track. Voila!
Like a lot of the songs it has some lyrical blues licks which I took in early in my life and they stayed with me. I keep saying “ as a concept- incredible! But I’m a reality!” Its something I remember Morris Day from the Time ( Princes rival in Purple Rain”) saying to an interviewer once. It stuck with me....

“It was then or never” is a groove that came out of nowhere. Its a retrospective kind of song. From high up in the air. We had the track going already and then Stu Thomas really lifted it with his amazing bass line and sound.

“honky tonk rope a dope” is , like the title track, another boxing allusion. Muhammad Ali played the “rope a dope” on George Foreman in Zaire in 1974. He fell back on the ropes and allowed George to punch him for ten rounds. Eventually George punched himself out. i mean he had no more punches to throw. Ali then turned on him. Its a “Honky Tonk rope a dope” when I’m playing in the clubs is what I’m asserting.
“Bodysnatcher Blues” is a one note boogie I’ve been working on for a few years. The note is E7. I always liked those fifties sci fi flicks with their commie pinko terror undertones.
Clare Moore cooked the music up for “Dylan the indie fake” while I was away on a rare solo tour. I fit the words to it in one take. I use a vocoder on my vocals and an octaver and a fuzz on my guitar. I like fakes. Real things are often overrated. More fake in a way too. In the music field anyway. LIke I say in the song, I like the fakes. My favourite parts of this song are musical.


“I need my guitar” is me on guitar, keys and bass and Care on drums. Stu Perera does the spindly lead notes. Its one of my songs for the players. Its the most recent song and I wrote it in a time of great anguish.

“Sellout!” is another track that Clare Moore cooked up for me. She started from an acoustic guitar groove I’d laid down. Stu Thomas dropped in that amazing propulsive bass.

“Throwin one into the world” is basically that filthy r’n’b I was talkin’ about. I play the bass and the rhythm guitar and the organ and Stu Perera plays all the great r’n’b licks. Clare Moore played and edited the drums and percussion. The song ends with me throwin out more of those old lyrical blues licks, Little red roosters and growin so ugly and shootin lions etc. Its a song about being a man.
“So easy” is a countrypolitan kind of groove.I tried to make the vocal sound like a movie voice over. In general , I mix the voice up high so tehres no lyric sheet on teh album. Ifigure if you need one of them the voice sn't loud enough.

“I dont wanna go bush” is more atonal country blues with latin discords pushing it along the very edges of a tune.I was rememberinga visit to the country when i was a kid.
“Oakleigh Bowie Blues” is just that. the Oakleigh Bowies” were a gang of sharpies I think I heard about sometime. Maybe I dreamt it? The song concerns a tough guy down on his very last bit of luck.

“2068 babe” is an expanded version of a song of mine put out by a UK label in 2008. It needed more guitars and organ and vocals and a drum beat so i added them all. I play everything. Its almost eight minutes long and is a rumination along a certain period of time. It was “68” before, a time of great power shifts and conflict that I liked the ring of , so I have launched it into the future , “2068 babe”.

credits

music by dave graney and clare moore with bass by stu thomas on several tracks and guitar by stuart perera on some as well. Mostly dave graney on guitars and bass and clare moore on drums, percussion and keys.

https://itunes.apple.com/au/album/knock-yourself-out/id314559779

now at Bandcamp - We Wuz Curious - digital album only - 2008 CLASSIC from dave graney and the mistLY

Now available at Bandcamp. $15 fora  digital download. First album to really capture the mistLY with Stu Thomas and Stuart Perera blazing that cool funk. Jazz master Mark Fitzgibbon on keys.

A great album from a real creative peak.



---------------
you had to be drunk
I come from the clouds
lets kill god again
junk time
I like to be haunted
only passin' through
I'm in the future now

bring me my liar
I was a country boy
punk dies
I needed someone to find me
crime and underwear

After the sprawling, spiralling, duelling double disc that was "Hashish and Liquor" , Dave Graney and Clare Moore took to the road with a minimalist , lyrical trio and recorded "Keepin it Unreal".
Finding themselves starving for a groove and a beat, they jumped into a state of mind to produce the greatest album of their career, "We wuz curious". They wanted upbeat r&b grooves. R&B as in the chords and the licks and the beats. The flattened fives and the blue notes. All tricked up for a night OUT.
They had started to play with pianist Mark Fitzgibbon on Hashish and Liquor and wanted to work more with him in a collective situation. Stu Perera on guitar had joined forces with them in 1998 as a 19 year old, straight from college, and they wanted to get his jazz stylings on the tracks as well. Stu Thomas on the bass and vocals wuld pull it all together.

They woodshedded the tracks for two months at the Yarraville Mouth organ Band Hall in West Melbourne, working out all the parts. They arranged it all and were DOWN ON IT. They wanted to make a recording and BEAT THE DIGITAL ENNUI by forcing a SITUATION! A SENSE OF OCCASION! They went into Sing Sing South in September 2007 with their old school engineer Adam Rhodes. He hung so many mics around the drums room and the amps that it was gonna be impossible for any sound to escape unrecorded. they laid down 8 tracks in a day/ Everything, vocals, guitars, drums and backing vocals. It was like a jazz session.

Then Dave graney and Clare Moore took the hard drive back to their Ponderosa studio and mixed it over a month or so. It was finished by November 2007.

“We wuz curious” is , lyrically , probably the most autobiographical work by Dave Graney with 5 of the songs starting with the perpendicular pronoun “I”. It is also very much a “band” album with each player of the Lurid Yellow Mist collective contributing music for a song .
Within the songs, looking outwards , you could say in one place that its a
jazz/r&b album, elsewhere its pumping electro , over there “yacht rock” , elsewhere, wailing post punk. Lets call it a pop album.

https://itunes.apple.com/au/album/we-wuz-curious-feat.-dave/id293320067
--------------------------------------------------------
2013 reflection... From Hashish and Liquor (via Keepin' it unreal) to this. It was a real rejuvenating period and I was full of artistic ambition and excitement. Coming from the band I guess. Stu Perera really stepping out and having Stu Thomas in the band. Then adding Mark Fitzgibbons' amazing chops. I love this album. All my favourite records that we've made start from "the devil drives" in 1997. That and "the dave graney show" in 1998 were also real artistic high points although I was in a much darker, beseiged, clossed off frame of mind then. I was like a punchy boxer.
By the time of "we wuz curious" I was in a much happier place. Playing a lot more guitar got me back into performing music in a different way. I love the r&b feels and the twin guitars and amazing keys on this album.

Fave lyric ... "douglas was in bed with a young girl / mary walked into the room
he said "who are you goin to believe? me or your eyes?"
he lit a cigarette and stared / the girl got dressed and left / comforted his wife made his bed and waked out himself
are you fuckin with me?"

credits

Dave Graney, electric and acoustic guitar, bass and organ.
Clare Moore, drums, perdussion,vocals, organ.
Stu D aka Stuart Thomas, bass, vocals.
Stu Perera, electric guitar.
Mark Fitzgibbon, piano.

bvs on "junk time" by Jane Dust and Elizabeth McCarthy.
mastered by Greg Wadley
Cover illustration by Tony Mahony.

Recorded September 2007 at Sing Sing South.
Engineer Adam Rhodes.
Mixed at the Ponderosa October-November 2007 by Dave graney and Clare Moore
Produced by Dave Graney and Clare Moore.

https://itunes.apple.com/au/album/we-wuz-curious-feat.-dave/id293320067 

We have some singles and albums available in very limited quantities.These are in cd format- not vinyl. Other rarities will be posted from time to time
As Max Miller was wont to say "there'll never be another!"

VERY limited number of this full length cd from 1998.A CLASSIC! Jewel case cover. This album is OUT ON ITS OWN!
read the story of this album

The excellent single from this album is also available in limited quantities. "Your masters must be pleased with you" comes in a jewel case cd format.

Handmade/hand printed single of "are we goin' too fast for love?" from 2001.

 

Hand made / hand printed single for MIDNIGHT TO DAWN from 2003.

Jewel case cd single from 1997. The last single from the Coral Snakes period. Comes with a "scratch'n'sniff" perfume tester card inside the case.

The original jewel case cd single cover for this single.

 
 

dave graney and the mistLY YOUR MASTERS MUST BE PLEASED WITH YOU

dave graney and the mistLY did two nights at the wheatsheaf hotel in adelaide, august 31st and september 1st 2013. This was filmed on a tiny toy camera from the mixing desk. The gig is out the back of a  lovely pub run by a group  of women. No security, no poker machines, no giant tv screens. Just people, booze and music.




This song was originally released on the brilliant DAVE GRANEY SHOW cd for Festival records in 1998. A power rock song, the lyric was inspired by the then emerging political idea of "aspirational" people as dreamed up by the conservatives in Australia. People wanting sstuff, wanting shit, wanting more."You know they'll never let you in...." goes the chorus.
dave graney and the mistLY...
clare moore on drums and vocals
stu thomas on bass and vocals
stuart perera on guitar and vocals
dave graney on lead vocals and electric guitar...

2013 shows
dave graney and the mistLY

 the DAMES (Clare Moore writing and playing as part of a trio) play the Bridge Hotel in Castlemaine Saturday 14th September and launch their debut album Sunday, 2pm in the afternoon 29th September at the Northcote Social Club.
Special guests - the Morning After Girls. .

Every friday evening in september dave graney will be playing an acoustic solo set at the Cornish Arms in Sydney rd Brunswick.

Saturday Oct 26th, dave graney and the mistLY will be playing a show at the Post Office Hotel in Sydney rd COBURG.

Sunday Nov 3rd THE DAMES will be playing at the WHEATSHEAF HOTEL in Adelaide.

Friday 13th December the DAMES will be at the RED RATTLER in MARRICKVILLE, Sydney on a great double bill with HARRY HOWARD and the NDE

Saturday 14th December the DAMES will be at the HERITAGE HOTEL in BULLI on a great double bill with Jodi Phillis. .

king of the dudes- one that got away from early 2012

dave graney and the mistLY were to release a rockn’roll album in the second half of 2012.It was the blazing west coast guitar pop album "you've been in my mind".

In the meantime, Dave Graney recorded “king of the dudes” and decided to put it out digitally. For the hell of it.

It was a  one off kind of a tune. Electro boogie in style with all instruments played by Dave Graney. Guitars sliding and vamping way back in the mix. And up high. Reminiscent in parts of “night theme” from Iggy Pop and James Williamsons late 70s opus , “kill city”.

“If there was a town

If there was a  city

If there was a  world worth lordin’ it over

I would be there ignoring one and all

Cool as spreading fern

King of the dudes…”

The title came from a character in a book about 19^th Yankee railroad robber barons. Dave Graney, as usual, took off from there with a hiccup driven stroll and a meditation on the strength to be drawn from time alone. Gathering strength to throw yourself once again into the social world. The whirling world of gossip, reputation and useless but addictive political intrigue.

http://www.thedavegraneyshow.com

"I played electric and acoustic guitar and pressed play on the rhythm machine. I recorded the rhythm track after I'd done all the guitars and set it to the tempo of the click track. It’s a 90s electro groove that I recorded with effects and cut it up and used fills to vary it here and there. I am no expert at that sort of stuff and seemed to get lucky.
I bounced the whole rhythm track through a tape simulator with lots of slap delay, wow and flutter and noise dialled in to give it some weirdness and grit and then used that as a stereo track again. I then put some of those elements back in without all the delay to get some punchiness back in to the mix.
The lyric was written ages ago. A long time ago. I have a folder of scribbled and printed pages called “old shit?” I found it scribbled on a crumbled up page. “King of the dudes”. I added a few lines here and there.
It was inspired by a fellow called Evander Berry Wall who was known as “king of the dudes”. 

dave graney and the mistLY live dates .

Friday August 30th - dave graney and clare moore will be playing at the Barossa Regional gallery in Tanunda SA

Saturday August 31st and Sunday Sept 1st dave graney and the mistLY will be playing at the Wheatsheaf in Adelaide , SA.

the DAMES (Clare Moore writing and playing as part of a trio) play the Bridge Hotel in Castlemaine Saturday 14th September and launch their debut album Sunday, 2pm in the afternoon 29th September at the Northcote Social Club.
Special guests - the Morning After Girls. .

Every friday evening in september dave graney will be playing an acoustic solo set at the Cornish Arms in Sydney rd Brunswick.

COCKAIGNE 2013 digital singles

I'm not the guy I tried to be - COCK22 - February 2013 digital single
 

This is a remake of a  song that closed the 2012 album “you’ve been in my mind” by dave graney and the mistLY. Here it is recast in acoustic 6 and 12 string guitars strummed by dave graney against a sweet rush of vibes and bass xylophone (wooden blocks/keys like a marimba) played by longtime collaborator clare moore.

https://itunes.apple.com/au/album/im-not-guy-i-tried-to-be-2013/id608570497


I'M A COMMANDER (2013 remake) March digital single  - Cock23

This is a remake of a  song that featured on our 1998 album “the dave graney show”. Here it is recast in acoustic 12 string guitars strummed by dave graney against a brave and mad rush of vibes and bass xylophone (wooden blocks/keys like a marimba) played by longtime collaborator clare moore.

“the song was inspired by a dream I had where the artist- the musician was a great and powerful person – like say Napoleon and he was drilling his forces and about to fight a great battle. He tells the record company to get in line and the radio stations that “they are now in uniform- enjoy yourself while you can!”

dave graney

THE POSTMAN ALWAYS RINGS TWICE - COCK24 -april 2013 digital release

A song more than a little inspired by the famous first novel by James M Cain (1934) and the (1946) film of the same name starring Lana Turner and John Garfield.

Dave Graney made a demo version of this song in 1987, as he embarked on a post Moodists career .(The Moodists being the first band for Graney and his partner Clare Moore) .

The song was eventually recorded in 1998 as “between times” for the Dave Graney Show cd. Dave Graney had always thought it best to hide his stash of obsessions and that to call the song after the book and the film would be too distracting for people to experience the song itself. Now he’s restoring it. This is kind of a  a “directors cut”.

Dave Graney plays acoustic and electric guitar, along with Stuart Perera from their band , the mistLY. Clare Moore sings and plays keys, percussion  and bass xylophone.

Dave Graney has always been influenced by hard boiled crime literature and street language.

The Postman Always Rings Twice is an expression of a long ride on those deep swells.

Mt Gambier NIGHT - COCK26 - may 2013 digital release

A song that featured on 2012's "YOU"VE BEEN IN MY MIND". Recast here with bass vibes and acoustic 12 string guitar. Bringing the OMINOUS! All instruments played by Dave Graney and Clare Moore.

Cockaigne discography- 2000-2012

DRUGS ARE WASTED ON THE YOUNG - COCK001 single 2000 - art by tony mahony. Distributed by Shock.

 
Kiss Tomorrow Goodbye (The Dave Graney Show, COCK002- Cockaigne/Shock, 2000). Also released on COOKING VINYL in the UK/Europe in 2001.
art tony mahony
A year on from the amazing highs of THE DAVE GRANEY SHOW (1999) and the last album with the Coral Snakes , THE DEVIL DRIVES (1997) . Graney called this "a brandy flavoured" album.
Featured "vengeance is on it's way" "death by a  thousand sucks" and "the stuff that night is made of".

Available in a 2015 expanded edition at itunes
  There were two other single releases from KISS TOMORROW GOODBYE
Out of the Loop (single COCK003)

HAVE YOU HEARD ABOUT THE MELBOURNE MAFIA? COCK004

Heroic Blues , The Dave Graney Show ( Cock005/ MGM) 2002.A 'folk blues" album. Features "don't mess with the blood" and "eye of the vibe" . Many songs remixed for SUPERMODIFIED in 2010.

art tony mahony

https://itunes.apple.com/au/album/heroic-blues/id983627546

SINGLE ARE WE GOIN TOO FAST FOR LOVE? COCK006
Handmade and printed sleeve by Kirsty Stegwazi

The Brother Who Lived (the Royal Dave Graney Show, Cock008/ MGM 2003)
Digipak-cover art by Tony Mahony - unavailable.Most of the album available on the remixed and re strung album SUPERMODIFIED from 2010

 https://itunes.apple.com/au/album/the-brother-who-lived/id983628831


SINGLES All OUR FRIENDS WERE STARS  (COCK009)
Handmade and printed sleeves by Kirsty Stegwazi

MIDNIGHT TO DAWN (COCK006)
Handprinted sleeves by Kirsty Stegwazi

Night of the Wolverine reissue (Cock010/ MGM 2004)_Unavailable in physical form as of 2013. On itunes .

art tony mahony

https://itunes.apple.com/au/album/the-dave-graney-show/id213610647

COCK011 was "stars after stars by our friend Spike Priggen. 

Hashish and Liquor - Reverberation 2005. Double album credited to graney and moore. Amazing creative high! Features "my schtick weighs a ton" and "the town bike song"

art tony mahony

https://itunes.apple.com/au/album/hashish-and-liquor/id983629224
 
Keepin' it Unreal (Cockaigne/Reverberation 2006/7)Minimalist trio of vibes,bass and acoustic 12 string working a lot of older songs.

https://itunes.apple.com/au/album/keepin-it-unreal-feat.-stu-d/id983631410

WE WUZ CURIOUS (Illustrious artists) -credited to the lurid yellow mist-featuring dave graney and clare moore.
GENIUS grooves and lyrical science on this masterpiece.The first album with Stu THomas and Stuart Perera playing in the band. Added bonus of jazz master Mark Fitzgibbon. Features "lets kill god again", "I'm in the future now"
art tony mahony

https://itunes.apple.com/au/album/we-wuz-curious-feat.-dave/id293320067


 
Knock Yourself Out (Dave Graney- COCK17 Cockaigne/Fuse- 2009)art tony mahony
Continuing on from We Wuz Curious in a very autobiographical frame of mind.  A solo album credited to graney but featuring all the mistLY here and there.Moore more than most.Dubbed "filthy r&b". Features "bodysnatcher blues" and "2068 babe"

https://itunes.apple.com/au/album/knock-yourself-out/id314559779  




Supermodified (Dave Graney and the Lurid Yellow Mist- COCK18 Cockaigne/Fuse 2010)-art tony mahony




https://itunes.apple.com/au/album/supermodified/id983630034





rock'n'roll is where I hide (dave graney and the lurid yellow mist - LIBERATION 2011) 
Collection of re-recordings of songs from the Coral Snakes era. "good enough for muddy waters" said Graney .
art tony mahony

 https://itunes.apple.com/au/album/rock-n-roll-is-where-i-hide/id422166463



you've been in my mind (dave graney and the mistLY - Cockaigne - FUSE -2012) art tony mahony

Blazing west coast electric pop MASTERPIECE! Features "flash in the pantz". "we need a  champion", Mt gambier Night" and "life's a dream". 

https://itunes.apple.com/au/album/youve-been-in-my-mind-2015/id983995092



  http://www.thedavegraneyshow.com